Professor Henry Higgins, the brilliant, irascible bachelor and England's leading phoneticist, first encounters Eliza Doolittle outside the Royal Opera House in Covent Garden late one evening. She is a Cockney flower girl and Higgins, together with Colonel Hugh Pickering, a noted linguist, chooses her as his next project. She moves into his London flat, together with Pickering, to be transformed into a "lady"; Higgins thus responding to Pickering's challenge.

After weeks and weeks of drilling, Eliza finally improves and Higgins introduces her to his mother and her snobbish friends at the Ascot races. The son of one of these friends, Freddy Eynsford-Hill, falls hopelessly in love with Eliza, despite her unladylike cheering at the races.

Higgins' final test of his experiment comes at the Embassy Ball where Karpathy, a Hungarian phonetics expert, comments on the pureness of her English. After Higgins and Pickering engage in a rollicking celebration over "their" success, Eliza storms out, meets Freddy and rages at him and spends the rest of the night wandering aimlessly around London. She encounters her father, Alfred P. Doolittle who is about to marry Eliza's stepmother, and is celebrating that occasion with his friends.

Higgins discovers that he is hurt by Eliza's sudden departure and goes to his mother's flat for comfort. Eliza is there, getting advice. They argue, and she storms out. Higgins finally admits to himself that he will have difficulty getting on without her and, back at his flat, sinks, dejectedly, into the sofa. Eliza emerges from the shadows and Higgins, sighing contentedly, gently asks her for his slippers.

Dramatic Director: John Knight

Musical Director: Berthold Carrière

Choreographer: Paulette Roberts